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Nor does "Capone" offer a main character darkly compelling enough to offset what a hideous, self-involved, spaced-out zero he is. He just seems like a sad old bastard who's fallen apart to the point where there's no reason to be scared of him unless he has a firearm in his hand. Not that it's obligated to-but in lieu of an agenda so basic, we need to at least feel as if we're getting some insight into psychology or criminality or something.
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The movie never quite answers that question. Ultimately the viewer might ask what the point is. And it's so stylized that your impulse might be to glance around the rest of the frame to see if it’s coming from an animated character, perhaps hiding behind a chair. No matter how many times you hear it, it never seems to issue organically from the man on the screen. The star's Capone Voice is something else, though-right up there with Hardy's Bane in "The Dark Knight Rises" and the title character of " Bronson" and the murderous trapper in " The Revenant" in goofy daring, as well as raw material for celebrity impressions that one might attempt while buzzed at a party. Here he gets to putter around in sleep clothes while muttering like Popeye the Sailor Man's long-lost Brooklyn cousin, and dress like Norma Desmond in a floppy hat and shawl and sunglasses to avoid being recognized en route to a fishing trip, and use a shotgun to kill an alligator who dared snatch away a fish that he caught, and burn countless cigars, always puffing the smoke with a flourish, and heave into metal buckets, and glance down at pee stains on a chair that were caused by his failing bladder and ask his companions, "Arrgh, what's this? Where'd this come from?" It wouldn't be a Tom Hardy star turn without a mask and a voice and some flamboyant bits of wardrobe. But it’s essentially a one-man show that happens to include supporting players, and their only job is to react to the star's thespian exertions or talk about his character when he's not around. The film makes space for other actors, including Matt Dillon as Capone's right hand man, Kyle MacLachlan as a mob doctor, Linda Cardellini as Capone's wife Mae and Kathrine Narducci as his sister Rosie.
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Other times it’s like watching a young Orson Welles playing a shambling old man in a baldness-simulating skincap at the end of " Citizen Kane," staring at the world through watery, regretful eyes. Sometimes the effect is akin to watching a late-period Brando performance where you’re not sure who he’s talking to even when he’s addressing another character directly. As Alfie is tested, pushed to the limits by his own employers, the noose tightening around the Jennings family, the hellish truth is.Writer/director Josh Trank's "Capone," a star vehicle in which Tom Hardy plays the gangster of the title, offers plenty of both Hardys, often alternating from one scene to the next. It casts Hardy as a middle-aged, syphilitic and physically deteriorating Al Capone, released from prison on tax evasion charges and eking out his final stretch in a Florida mansion surrounded by swampland. An embarrassing public breakdown during a torture in front of his employers and client, calls Alfie's sanity and professionalism into question, forcing ex-Army Major, Albert Chapman, the psychopathic head of Homefront, to begin threatening the lives of Alfie and his family. His tense family life rapidly approaching boiling point a sheltered daughter on the brink of womanhood a beautiful, neglected wife on the brink of despair, Alfie is lost, desperately trying to hold everything together. One of the founding members of elite hitman fraternity Homefront Alfie's panic attacks now compromise this once ruthless ex-elite soldier and leader of men. Haunted by horrific visions of the men he has killed Alfie spirals towards the brink of madness as his past catches up with him.