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“Over a period of time, like a year, a year and a half we started doing the vocals. Clevie, the more soft-spoken half of the duo, answered the phone and explained that said big new riddim riddim was not new at all, but “put together about two years and two months ago.” Such was the painstaking creative process behind a new Steely & Clevie production-a far cry from the slapdash standards decried by critics of dancehall. I had just returned from Music Ambassador with a fresh batch of 45s which left no doubt that I needed to link the STUDIO 2000 CREW and ask them to speak on their big new Street Sweeper riddim. It was a May afternoon in 1999, and the Street Sweper riddim was running Jamaica. I prefer to let my mind drift back ten years ago to a conversation I remember so well it seems like just yesterday. When thinking about Steely, we tend to think of drum machines rather than dialysis machines. For those who had the pleasure of meeting Steely, it’s hard to picture the bold, boisterous man we knew laying in a hospital bed. Add one more to the list of legends lost. Vegas “Hot Gal Today”įrom Michael Jackson to Walter Cronkite, 2009 has been a cruel year already. Dean Fraser & King Jammy’$ All-Stars “Punany Sax”ĩ.
Get busy sean paul riddim free#
Hugh Mundell “Africa Must Be Free By 1983”ģ. From early sessions for Youth Promotions and the Black Ark to his groundbreaking work with the Roots Radics band to ushering in the digital era at King Jammy’$ to establishing Steely & Clevie Productions and later Studio 2000, here are just a few of Steely’s greatest hits. bad, bad, bad…”Īt times like these all we can do is say a prayer for the man’s family and loved ones, and honor his legacy by returning again and again to the music he loved so well. “When I left him in New York he was bouncing back and recovering,” Clevie told the Observer’s Steven Jackson as his friend and production partener lay in critical condition in a New York hospital, “then he got pneumonia and it took him down.
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The veteran producer had been suffering from complications of diabetes that affected his kidneys. The 47-year-old musician, composer, and groovemaster has played such a vital role on so many classic reggae recordings-from Gregory Isaacs’ immortal “Night Nurse” to the ubiqitous Punany riddim to “Sorry” (by “the other Foxy Brown”) to dancehall blasters like Tiger’s “When” and Shabba Ranks’s “Ting a Ling” even soulful cuts like Beres Hammond’s “Double Trouble” and the hit remake of Dawn Penn’s “No No No”-that it’s hard to imagine Jamaican music without him. Two The Hard Way: Steely & Clevie did it real big during dancehall’s digital era.Įven after reading the sobering words of his musical sparring partner Cleveland “Clevie” Browne in this Sunday’s Jamaica Observer, the untimely death of ace Roots Radics keyboardist and pioneering dancehall producer Wycliffe “Steely” Johnson still comes as a terrible shock. Remembering Wycliffe “Steely” Johnson Aug.